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Blog posts tagged with 'jewelry'

Tres Estrellas: A Story of Transformation

One of the most beautiful things about fair trade is the way it transforms things. It transforms people who have oppression into people who have opportunity. It transforms beggars into businessmen. It transforms kids on the street into kids in the classroom. And sometimes, with a little creativity, it turns trash into treasure.

Take the humble guitar string. People have been playing guitars (or guitar-like instruments) for over three thousand years, and steel strings have been in use since around 1900. If you’ve ever played a guitar, you know how frequently the strings break or have to be replaced, but have you ever thought about what happens to those strings when they are discarded? Are they recycled, do they end up in a landfill, or what? One Unique Batik artisan group is transforming recycled guitar strings into fun bracelets, bangles, and rings, and in the process, they are creating not just jewelry, but jobs.

Tres Estrellas, located in the Canton Pujujil region on the edge of Lake Atitlán, was founded in 1995 in response to the dire poverty of the people in the region. Or, as co-founder, Juan Par, put it, “so that people would not die of hunger.” The Guatemalan Civil War, which began in 1960, plagued the country for more than thirty years. The Maya people were particularly targeted by government death squads, forced disappearances, and a scorched earth policy. After decades of war and hundreds of thousands of lives lost, it is no surprise that rebuilding has been a long and arduous process.

Many Maya women were left widowed by the war, desperate to find ways to feed and care for their families. Today, most of the young women in the Tres Estrellas artisan group are children of widows. The group is made up of thirteen women, ages 22 - 45 years old. When there is not enough work making jewelry, the women supplement their income making traditional baskets, but because there is so much competition in the basket market, their income from selling baskets is about half of what they can earn making jewelry with the group. Group leader Juan and his wife, Maria, design and develop the products and provide training and technical assistance to the other group members. Juan has been a hard worker since he was a child working in the coffee and cotton fields with his father, and is grateful that this employment has allowed him to provide for his family and educate his eight children.


The biggest challenge for the group is to create enough work for the artisans, who are still struggling to rebuild their lives and their community in the aftermath of such a long and brutal war. With each unique guitar ring and bracelet that they make, they get a little closer to that long awaited dream. We hope that you will love our Unique Batik guitar jewelry not only because it is funky and cool and old-into-new, but because you want to be a part of transforming struggle into success. Together, we can do it - one string at a time.

Artisan Spotlight: Carmelita Ramos

Sparkling beads dance across her hands as Carmelita Ramos creates earrings and bracelets to sell to customers in the distant land of the United States. Her dreams of earning a living and educating her children were once just as distant, but through her work and creativity and her connection with fair trade, those dreams have become a reality. Carmelita’s story did not begin so differently from that of many, many other women in Guatemala. Being able to sell her handicrafts to a fair trade company like Unique Batik has given her the hand up -- not handout -- that changed the course of her life.

Born into a family of thirteen children in the rural mountain village of San Jorge in the department of Solola, Carmelita’s challenges in life started early. None of the girls in her family were sent to school. This is still true for many girls in Guatemala; of the two million children who do not attend school, most are indigenous girls living in rural areas. In fact, 90% of these girls do not attend secondary school. Carmelita was no exception.

With no education, Carmelita’s options were few. She became a maid at a young age, which is a typical path, with 98% of domestic workers being women and 70% of domestic workers being indigenous Maya. However, Carmelita’s story took a turn when, through her employers, she began making jewelry to sell for export. She immediately showed promise as a designer, creating an original bracelet featuring bamboo and making oven mitts out of scrap fabric. For her first significant order, she received a paycheck of Q1200 (the equivalent of $150 US dollars).  It brought tears to her eyes because she had never seen a Q100 note.

Carmelita’s creativity and ingenuity have been a big factor in her success as an artisan. Now part of a jewelry making cooperative of eleven people, all family members, Carmelita sources the beading materials herself and trains co-op members how to make new jewelry designs. Unlike many other artisans in the area, when Carmelita’s group creates exclusive new designs for a customer, they do not sell them to anyone else. The group members work from their own homes, but confer on pricing, production, and any other issues that might come up.

Today, not only has Carmelita’s story defied expectations, but her leadership of the artisan co-op has influenced the lives of many others. Her own daughter, Maria, has graduated with a degree in business administration.  She has partially paid for her education and transportation to school through part-time work making beaded jewelry with the artisan co-op. Another group member, Marta, has five children, for whom Marta desperately wanted an education. Her husband did not support her dream, but through her earnings as an artisan, all of Marta’s children have gone to school.  Since the time her jewelry work began, Carmelita and her husband, Juan, have gone from living with her mother-in-law to buying their own land and building a two-story cement block house -- an extraordinary accomplishment for a woman who started with no education and no means.

The journey has not been without its challenges. Competition in the area is fierce for beaders, keeping their wages low. There is even a “bead mafia” which controls the availability of beads, so Carmelita’s group is not always able to source the colors they need. US buyers are not always reliable, and it is the long-term, fair trade relationship with Unique Batik that has made a difference in the success of Carmelita’s group. Ten years ago, a US buyer placed a big order for beaded jewelry from women in Carmelita’s village, then pulled out without paying the women for their work. A mutual acquaintance gave Carmelita Unique Batik owner Sharon Gale’s phone number. Carmelita called Sharon for help, and that began the relationship between Unique Batik and Carmelita’s cooperative.

Carmelita’s talent as a designer is special, but without the opportunities created by fair trade purchases, even with all her hard work and creativity, the story might not have such a happy ending. Given the opportunity to be treated with integrity and turn her gifts into a secure life for her family, Carmelita has transformed her own narrative. Thanks for being part of her happy ending!

Artisan Spotlight: Diego Ravinal

Everything old is new again, right? At its best, fashion takes classics that have been around for ages, and spins them into something new right before our eyes. Oscar de la Renta, Rachel Roy, Nicole Miller, and several other designers showed pearls for Spring 2014, but these weren’t your granny’s pearls. While pearls have an elegant, classic aesthetic, they take on a cool, young edge when mixed with more casual pieces.


At Unique Batik, we are always looking for ways to translate fun fresh trends into our handcrafted jewelry and bags, so we’re pleased to bring you the Pearl Circus Necklace and Pearl Circus 2 Strand as a great way to incorporate the pearl micro trend into your spring and summer wardrobe. These subtly dramatic pearl necklaces are created for us by the same family of artisans that makes our delightful Circus collection of jewelry, as well as our Rock Candy and Trapeze collections.

Pearl Circus


Led by artisan Diego Ravinal and based in Santiago Atitlan, Guatemala, the group is made up of Diego, his four sisters, and his brother-in-law. When their father died thirteen years ago, Diego had to abandon his education, leaving school to work and support the family. Diego was able to get a bank loan of Q3500 (the equivalent of $450) and set up a stall on one of the main streets in town, near the beach. There, he sold jewelry and other trinkets to tourists, as the town in which he lives is on a beautiful volcanic lake and is a popular vacation spot. Although doing business this way was enough to get by, Diego was unable to grow his business until he could find a wholesale buyer.

DiegoLake Atitlan

When Diego connected with Sharon and started making jewelry for Unique Batik, he was able to generate enough work for all four of his sisters. Diego’s family has not had the opportunity for much education -- both his mother and three of his sisters are illiterate and not all of them are able to speak Spanish fluently. This means that income generating opportunities are few and far between. Their work making jewelry allows them to contribute to the prosperity of the family, and gives them a voice in decision making. When making decisions about pay and production, the group dialogues and decides together.

ChonaElanaMariaDiego's Kids

Diego is proud of his work; he has created his own designs, and when people come to his stall and admire his jewelry, saying it is unique, it gives him energy to continue creating. He has also continued his education, going to school in the afternoons, and is only one class away from completing his studies and getting his diploma. In the six years of working together with his family he has built a successful business and now dreams of growing that business and building his own home in Santiago. Sure, it’s the same dream that people have had for generations...but some things never go out of style.